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Jessie Street (née Lillingston, 1889-1970), feminist and activist, had a 50-year career encompassing achievements on landmark issues such as family planning, equal pay and equal employment.
1 portrait in the collection
Recorded 1967
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Gift of the Street family and the Jessie Street National Women's Library 2010
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Jessie Sinden was a barmaid at the Brooklyn Hotel on George Street in Sydney when she was 'discovered' by Baron George Hoyningen-Huene, a high-profile American fashion photographer and Hollywood figure.
1 portrait in the collection
Jessie Robertson (1835–1849) was the eldest of the seven children of pastoralist and businessman, William Robertson (1798–1874), and his wife Margaret (née Whyte, 1811–1866).
1 portrait in the collection
Jessie Whyte (née Walker, 1779–1864). Born in Berwickshire, Scotland, Jessie married George Whyte (d.
1 portrait in the collection
Jessie, Lady Eyre Williams (neé Gibbon, 1815-1903), colonial spouse, was the daughter of an Aberdeenshire clergyman.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013
Purchased 2017
Gift of Danina Dupain Anderson 2021. Donated through the Australian Government's Cultural Gifts Program.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
Purchased 2009
Collection: National Portrait Gallery
Purchased 2019
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.
Luke Cornish, aka E.L.K. describes his street art and portraiture
This issue features Hermannsburg pottery, Nicole Kidman, Ken Done, Jessie Street, two gladiators, the Portraits+Architecture exhibition and more.
Gift of the artist 2015
Gift of the artist 2015
Purchased 2020
The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.
Purchased 2012
Purchased 2013
Childhood sweethearts
King Edward Terrace was named in honour of King Edward VII (1841-1910)
Collection: National Portrait Gallery
Purchased 2018
Gift of Professor Van Sommers 2011
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Purchased 2016
Rod and Jack on the series of portraits they created together.
Is he thinking of me?
Purchased with funds provided by Tim Bednall 2021
Reginald Henry Jerrold-Nathan (1889-1979) arrived in Australia from London in 1924, having studied under John Singer Sargent and William Orpen at the Royal Academy, where he was awarded a medal for portrait painting.
2 portraits in the collection
Kondelea Elliott (1917–2011), union official and women's rights lobbyist, was the daughter of a Greek migrant father, Nicholas Xenodohos, who had come from the Queensland canefields via Sydney, and an Australian mother who had left school at the age of eight and performed in a circus.
1 portrait in the collection
Terry Clune (b. 1932), gallerist, established Terry Clune Galleries with Frank MacDonald at 59 McLeay Street Potts Point in 1957.
1 portrait in the collection
Saul Solomon (1836–1929) had a studio in Main Road, Ballarat from 1857 to 1862, and worked in partnership with William Bardwell at 29 Sturt Street, Ballarat until 1874.
1 portrait in the collection
Gift of Jeannie Highet and Kim Buchan 2012
Baby Guerrilla is a street artist based in Naarm/Melbourne. Her exquisite large-scale drawings of figures made into paste-ups celebrate humanity.
Robert Thomas Carter (1843–1917) was a leading Sydney cabinetmaker and furniture warehouseman, and later an antique dealer.
2 portraits in the collection
Suzie Petyarre (also spelt Pitjara) Hunter (b. c. 1966), painter, is an Alyawarre woman who lives a traditional life in the bush at Irrultja, Utopia.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the artist 2010
Donated through the Australian Government's Cultural Gifts Program
Sir Edward Eyre Williams (1813–1880), judge and barrister, arrived in Port Phillip in 1842 having been admitted to the Bar in London nine years earlier.
1 portrait in the collection
Falk Studios was established by Melbourne-born photographer H. Walter Barnett in George Street, Sydney in 1885.
5 portraits in the collection
Alex Kolozsy left his native Transylvania for Hungary as a small child.
1 portrait in the collection
The Bassano studios operated from 1850, when photographer Alexander Bassano (1829-1913) opened premises in Regent Street, London.
2 portraits in the collection
Gift of Fiona Turner (née Robertson) and John Robertson 2011. Donated through the Australian Government's Cultural Gifts Program.
Margaret Robertson (née Whyte, 1811–1866) was the daughter of settlers George and Jessie Whyte, who emigrated to Van Diemen’s Land from Scotland in 1832.
4 portraits in the collection
Explore portraits of those who had a Canberra suburb or street named after them. For primary students.
Gift of Mr and Mrs James Bain 2000. Donated through the Australian Government's Cultural Gifts Program.
Ernest Walter Histed was born in Brighton, UK, but made his reputation as a photographer in Chicago and later in Pittsburgh.
1 portrait in the collection
The Swiss Studio opened in Bourke Street, Melbourne, in September 1900 and remained in business until 1920..
1 portrait in the collection
Munnan Studios operated from premises in Hunter Street, Sydney, from around 1915.
1 portrait in the collection
Johnstone, O’Shannessy & Co was founded in Melbourne in 1864 by Henry James Johnstone and a photographer known as ‘Miss O’Shaughnessy’, who had previously been in partnership with her mother in their own photographic business in Carlton.
12 portraits in the collection
James Gillray, caricaturist and printmaker, was born in Chelsea and learned the art of engraving as a youth in London.
1 portrait in the collection
Antoine Fauchery (1823–1861) was a Parisian artist and writer, an occasional collaborator with Henri Murger, author of Scènes de la vie de bohème which was a chief source of the opera La bohème.
2 portraits in the collection
Gift of Fiona Turner (née Robertson) and John Robertson 2011. Donated through the Australian Government's Cultural Gifts Program.
John Noone, photographer and lithographer, began advertising the services of his ‘Photographic Establishment’ in the Melbourne Argus in September 1858, and worked from two separate addresses on Collins Street from this time until 1862.
1 portrait in the collection
Rollo Thomson, a Melbourne artist, shared a studio with Constance Stokes at 9 Collins Street.
1 portrait in the collection
Laura Praeger (née Blundell) was born in Tunbridge Wells, Kent, and was about twelve years old when her father brought his family to Australia, settling in Queensland.
1 portrait in the collection
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Kemp, Perry & Co. operated from 81 Bourke Street East, Melbourne, between 1873 and 1875.
1 portrait in the collection
Geoffrey Legge (b. 1935) and Frank Watters (1934–2020) ran Watters Gallery in Darlinghurst from 1964 to 2018.
3 portraits in the collection
Geoffrey Legge (b. 1935) and Frank Watters (1934–2020) ran Watters Gallery in Darlinghurst from 1964 to 2018.
3 portraits in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
The National Portrait Gallery is calling on family history enthusiasts and amateur historians to tell it more about the people in its new show, Dempsey’s People: A folio of British street portraits from 1824-1844.
A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.
Maurice Appleby Felton (1803-1842) arrived in Sydney with his wife and four children in late 1839 as surgeon to the immigrant ship the Royal Admiral.
3 portraits in the collection
Annie May Moore (1881-1931) was born in New Zealand and studied at the Elam School of Art and Design in Auckland.
5 portraits in the collection
Gift of Eleanor Thornton 2013. Donated through the Australian Government's Cultural Gifts Program.
Ria Murch (1918-2014), writer and muse, was brought up in King’s Cross and attended the Thosophist school in Mosman before acquiring secretarial skills at Miss Hales Business College.
1 portrait in the collection
Alan Davies' and Peter Stanbury's The Mechanical Eye in Australia lists Sydney photographer John Davis (life dates unknown) as having a carte-de visite studio on King Street, and as working from addresses on Pitt and George Streets between 1870 and 1873..
1 portrait in the collection
Born in Lincolnshire, Charles Hewitt (1837–1912) had begun working in Melbourne by 1860 and was one of the founding members of the Photographic Society of Victoria.
3 portraits in the collection
The Swiss Studios opened in King Street, Sydney in early 1898, operating from a building described as a 'pleasing reminder of one of those delightful old Swiss chalets, which one always associates with Alpine travel.' The elaborate establishment boasted a first-floor reception room, 'beautifully decorated and luxuriously furnished', 'tastefully arranged dressing rooms, one for ladies and the other for gentlemen', and a 'lofty, cool and well-lit gallery' where 'the best artists in the photographic line' were at work.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the Estate of Stuart Campbell 2012
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
David Mitchell (1829-1916), builder, contractor and businessman, arrived in Melbourne in mid-1852 in the Anna.
1 portrait in the collection
Frances Samuel (1818-c. 1898) was a member of one of early Sydney's most significant Jewish settler families.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
2 portraits in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Wendy Sharpe undertook art studies in Sydney between 1978 and 1984 and held her first solo exhibition at the Nicholson Street Gallery in 1985.
3 portraits in the collection
Purchased 2021
The Dickinson Monteath Studio operated at 296 Collins Street Melbourne during the 1930s and into the 1940s.
1 portrait in the collection
Kerry Walker AM, actor, graduated from the National Institute of Dramatic Art in 1974 and made her professional stage debut in a melée in Act 1 of Romeo and Juliet with the Australian Ballet.
1 portrait in the collection
Gift of the artist 2015
Frederick Bromley was among a family of printmakers active in Britain for much of the 19th century.
1 portrait in the collection
George William Perry (1824–1900) was born in London and arrived in Victoria via South Africa around 1852.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003
Portraiture. Not as you know it. We invite you to stretch, push, resist and transcend portraiture’s conventional constraints.
Gift of the family of FW Macpherson 2010
Collection: National Portrait Gallery
Gift of Philip Bacon AM 2012
Collection: National Portrait Gallery
Gift of John McPhee 2018
View the full collection of portraits in the exhibition.
In partnership with Big hART we are proud to present Gulgawarnigu - Thinking of something, someone, a national presentation of digital artworks created from Ngarluma country leramagadu (Roebourne), in the Pilbara region of Western Australia.
Gift of Patrick Corrigan AM 2020. Donated through the Australian Government's Cultural Gifts Program.
It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
The First Legislative Council of Victoria was formed following Victoria’s separation from New South Wales in July 1851.
1 portrait in the collection
Andrew 'Boy' Charlton (1907-1975) was a keen surfer throughout his youth.
1 portrait in the collection
Fradelle & Marshall was a photographic and miniature-painting partnership between Albert Eugene Fradelle & William Shury Marshall, who maintained two studios in Regent Street, Westminster, London from 1872 to 1876.
1 portrait in the collection
Victorian-born Alice Mills was one of a significant number of women photographers in business between 1900 and 1920.
1 portrait in the collection
Gift of Ross and Judy O'Connell 2016
Gift of Ross and Judy O'Connell 2016
Collection: National Portrait Gallery
Gift of the artist 2010
William Kinghorne (1796-1878) came to the colonies from Scotland some time before 1824.
1 portrait in the collection
Gift of Mrs Lily Kahan 2017. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Nigel Naseby 2007
Donated through the Australian Government's Cultural Gifts Program
Richard Read junior arrived in Sydney from his native London in November 1819.
2 portraits in the collection
Julian Rossi Ashton CBE (1851-1942), art teacher, artist and critic, trained in art in London and at the Académie Julian in Paris before coming to Australia to work on the Illustrated Australian News in 1878.
4 portraits in the collection
John Eason (1799–1858) was a shipwright who worked in Van Diemen’s Land during the 1830s, 1840s and 1850s.
1 portrait in the collection
The National Portrait Gallery is calling on family history enthusiasts and amateur historians to help reveal more about the people in Dempsey’s People: A folio of British street portraits from 1824-1844.
Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Purchased 2015
Wesley Enoch AM (b. 1969) is a theatre director and playwright and was the director of the Sydney Festival from 2017 to 2021.
1 portrait in the collection
Mirka Mora (1928–2018), French-born artist and restaurateur, narrowly escaped Auschwitz as a girl.
5 portraits in the collection
Florence Austral (1892–1968), operatic soprano, achieved international renown during the 1920s.
1 portrait in the collection
Shepard Fairey is best known for his iconic poster Obama/Hope which he made in support of Barack Obama for the 2008 US election.
Purchased 2012
William Paul Dowling (1824–1877) is thought to have studied art in his native Dublin before settling in London, where he worked as a draughtsman while trying to establish himself as a portraitist.
1 portrait in the collection
Rose Lindsay (née Soady, 1885-1978), artist's model, posed for Sydney Long, Antonio Dattilo Rubbo and Fred Leist before she met Norman Lindsay in 1902.
5 portraits in the collection
Robert Ross (1792–1862), clergyman, studied medicine in his native Edinburgh before being ordained into the Church of Scotland in 1818.
1 portrait in the collection
Sir William (Will) Ashton OBE (1881-1963) was the son of James Ashton, who founded Adelaide's Norwood Art School in 1885 and its Academy of Arts in 1895.
1 portrait in the collection
The Rt Hon Sir Garfield Barwick AK GCMG QC (1903–1997) was Chief Justice of Australia from 27 April 1964 to 11 February 1981 – the longest serving Chief Justice of Australia.
2 portraits in the collection
Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.
Ralph Sutton (1908-1967), Methodist minister, trained in Sydney, was ordained in 1935 and began his career in Mosman Methodist Church.
1 portrait in the collection
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’
Alfred Vincent began working for the Bulletin in 1896, taking over from the renowned Phil May, his idol, with whom he was often - inevitably - unfavourably compared.
1 portrait in the collection
Sir John Kerr AK KCMG LSt J PC GCVO QC (1914-1991) was the eighteenth Governor-General of Australia.
3 portraits in the collection
Directions for walking to the Gallery from Civic.
Roger Scott (b. 1944) is a freelance documentary photographer known in particular for his images of protests and rallies held in Sydney in the 1970s.
2 portraits in the collection
West Australian-born Lesley Moline (née O’Toole) studied at Perth Technical College before moving to Melbourne in 1933.
1 portrait in the collection
Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
Gordon Powell AM KCSJ (1911-2005) Presbyterian minister, broadcaster and writer, is regarded as one of the most influential Australian Presbyterians.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2010
Barry Walsh (b. 1951) is a painter, photographer and printmaker who has studied in Italy and France and has exhibited since the early '80s in Europe as well as Australia.
1 portrait in the collection
Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.
Purchased 2017
Melissa Beowulf grew up in Sydney, where she became a graphic artist.
2 portraits in the collection
Elliott & Fry, a photography studio and photographic film manufacturer, was founded in 1863 at 55-56 Baker Street, London by Joseph John Elliott and Clarence Edmund Fry.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2008
Charles Alfred Woolley (1834-1922), photographer and sketcher, ran a studio on Macquarie Street in Hobart from 1859 to 1870, producing numerous portraits along with views and stereographs of Hobart and surrounding areas.
6 portraits in the collection
Sarah Tuckfield neé Gilbart (c. 1808–1854), was the daughter of a Cornish farmer.
1 portrait in the collection
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
William Lister Lister (1859-1943), who was born in Sydney but taken to England as an eight-year-old, studied at the Bedford School of Art and in France before moving to Glasgow to study mechanical engineering at the College of Science and Mechanics.
1 portrait in the collection
Andrew Mitchell Ramsay (1809-1869), clergyman, was Melbourne's first Presbyterian minister.
1 portrait in the collection
Jim McClelland (1915-1999) was a lawyer, politician (senator for NSW 1971-1978), judge and columnist for The Sydney Morning Herald (1986).
1 portrait in the collection
The World of Thea Proctor is the Portrait Gallery's second major biographical exhibition - that is, the second exhibition to focus exclusively on the life and work of a single individual
Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program
Purchased 2013
Claude Spurgeon Charlick (1893-1974), businessman, was managing director of the Adelaide firm Charlick Ltd for nearly forty years.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2008
James T Donovan (1861–1922), journalist, Catholic historian and amateur singer, was born into an Irish Catholic family in Sydney and grew up in Womerah Avenue, Darlinghurst.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Beatrice (Bee) Miles (1902-1973) ranks alongside the 'Eternity man' as one of Sydney's best-remembered street personalities, and featured in the State Library's 'Sydney Eccentrics' exhibition in 1999.
1 portrait in the collection
Hera Roberts (1892-1969) was a painter, illustrator, designer, commercial artist and milliner.
1 portrait in the collection
Arthur Horner was born in Malvern, Victoria, and attended Sydney High School and the National Art School.
1 portrait in the collection
Michael Meszaros has worked full-time as a sculptor for thirty years.
5 portraits in the collection
Sir Hartley Williams (1843–1929), judge, was the third child and second son of Edward Eyre Williams and his wife, Jessie.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Enid Hawkins 2003
Donated through the Australian Government's Cultural Gifts Program
Adrian Lawlor, critic and artist, came to Australia from his native England at the age of about twenty.
2 portraits in the collection
Photographers Andrew Taylor and George Taylor opened their first studio in Cannon Street in east London in 1866.
1 portrait in the collection
Jonathon Welch AM (b. 1958), tenor, is the founding music director of the Choir of Hope and Inspiration (formerly known as the Choir of Hard Knocks).
1 portrait in the collection
Talma Studios opened in Sydney in March 1899 in a George Street premises next door to the GPO.
1 portrait in the collection
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Collection: National Portrait Gallery
Purchased 1999
Hayward 'Bill' Veal was born in Eaglemont, Victoria, and studied in Melbourne with AD Colquhoun and Max Meldrum between the ages of fifteen and twenty-four.
1 portrait in the collection
Mervyn Horton AM (1917-1983), editor, art writer and entrepreneur, founded the journal Art and Australia in 1963 and edited it until his death in 1983.
1 portrait in the collection
Thomas Purves (1909-1969), known as Tam, founded the Australian Galleries in Smith Street, Collingwood, Melbourne with his wife Anne in 1956.
1 portrait in the collection
Elizabeth Roberts (1812–1833) was the daughter of Warwickshire-born William Roberts (1754–1819) and his wife, Jane (née Longhurst, c.
1 portrait in the collection
Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.
Lowe Kong Meng (1831–1888), merchant, was born and grew up in the British colony of Penang and came to Melbourne in 1853.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2010
Gift of Rex Dupain 2003. Donated through the Australian Government's Cultural Gifts Program.
An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.
Ern McQuillan (Senior) (1905-1988), boxing trainer, was born in Newtown, Sydney, and worked there all his life.
1 portrait in the collection
John Brack (1920–1999), artist, grew up in Melbourne and studied at the National Gallery School at night while working as a junior insurance clerk.
9 portraits in the collection
George Coates, Melbourne-born artist, started his art career in a stained glass workshop, attending classes with Frederick McCubbin at the National Gallery school at night.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2015
Purchased 2020
Headspace 7: Me and My Place, the seventh in the National Portrait Gallery's series of student exhibitions, will be presented at Commonwealth Place. Me and My Place is the curatorial theme for the 2006 exhibition.
Gift of John McPhee 2018
Purchased 2015
Collection: National Portrait Gallery
Purchased 1999
Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.
William Mora (1953–2023), art dealer and gallerist, was the eldest son of artist Mirka Mora and restauranteur and gallery owner Georges Mora.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Gift of Dr Joseph Brown AO OBE 2006
Donated through the Australian Government's Cultural Gifts Program
Reko Rennie (b. 1974) is a Kamilaroi/Gamilaraay/Gummaroi artist living and working in Melbourne.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2001
Sage (b. 1963) was born in Wales and studied at the School of Documentary Photography in South Wales under magnum photographer David Hurn.
7 portraits in the collection
Gift of Brian Griffin 2000
Bob Maza (1939-2000), actor, playwright and activist, was born on Palm Island in North Queensland.
1 portrait in the collection
Gift of the Mort family 2009
Purchased 2010
Collection: National Portrait Gallery
Gift of Ric Techow and Jenny Techow-Coleman in memory of Roy and Bet Techow 2001
Aileen Dent (1890–1979), painter, is the most-exhibited woman artist in the Archibald Prize, with 63 works hung between 1921 and 1962.
1 portrait in the collection
Purchased 2001
Carol Jerrems: Portraits is a major exhibition of one of Australia’s most influential photographers. Jerrems’ intimate portraits of friends, lovers and artistic peers transcend the purely personal and have come to shape Australian visual culture.
Collection: National Portrait Gallery
Gift of the artist 1999
Idle hours is an exhibition of luxurious beauty. Paintings, prints and drawings represent subjects in quiet moods and situations arranged according to the time of day they depict - reading, drawing, snoozing, bathing, sewing, gardening, sitting, looking, making love and spending tranquil time with companions. Works in the exhibition range from the beginning of the twentieth century to the present.
Collection: National Portrait Gallery
Purchased 2017
Julian Smith, surgeon and photographer, came to Australia with his family from England at the age of three.
2 portraits in the collection
Andrew Quilty left school after completing Year 10 in 1999, and went to study photography at TAFE, graduating in 2004.
1 portrait in the collection
William Nicholas was born near London and is believed to have trained with English printmaker A.M Huffam.
2 portraits in the collection
Phyllis Shillito (1895-1980), designer and teacher, grew up in Yorkshire and trained and taught at Halifax Technical School before moving to teach design, craft and principles of art at Winchester School of Art and Liverpool City School of Art.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2015
Elizabeth Sarah Ellen Carter (née Hill, 1845-1927) was one of the eight children born to Sydney cabinetmaker and undertaker John Hill jnr and his wife Elizabeth - the step-daughter of ex-convict boatman, John Cadman.
1 portrait in the collection
Purchased 2007
Collection: National Portrait Gallery
Purchased 2015
Judith O’Conal grew up in Sydney’s Rocks area and became interested in art as she repeatedly passed the plaque advertising the Julian Ashton School.
1 portrait in the collection
Gift of Frank Watters OAM 2018. Donated through the Australian Government's Cultural Gifts Program.
Sir Kenneth Gillespie (1929–2010), dancer, teacher and founder of the Tasmanian Ballet, left his native Launceston at age sixteen to join the Borovansky Ballet in Melbourne.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2016
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
Collection: National Portrait Gallery
Purchased 2015
Henry Hopkins (1787–1870), merchant and philanthropist, opened his first shop on Elizabeth Street in Hobart soon after arriving in the colony in September 1822.
1 portrait in the collection
Catherine Hamlin AC (1924–2020), obstetrician and gynaecologist, graduated from the University of Sydney in 1946 and went to work at Crown Street Women’s Hospital, where she met fellow doctor Reginald Hamlin.
1 portrait in the collection
John Hillcoat (b. 1960), filmmaker, was born in Brisbane and grew up in Canada, the USA and Europe.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2003
The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
The Reverend Edward Puckle (c. 1800-1898), Anglican clergyman, took holy orders in Exeter and officiated in Cornwall before sailing on the Randolph to Canterbury, NZ in 1850.
1 portrait in the collection
Graeme Inson (1923–2000), artist and teacher, was born in Cootamundra, New South Wales and educated at Canberra Grammar School.
6 portraits in the collection
Bryan Brown AM (b. 1947), actor and producer, worked as an insurance salesman before doing theatre in Australia and London.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Purchased 2018
Harriet and Julia Swan were daughters of the successful Hobart merchant John Swan (1796–1858), who emigrated to Van Diemen’s Land in 1823 with his wife and first four daughters.
1 portrait in the collection
Harriet and Julia Swan were daughters of the successful Hobart merchant John Swan (1796–1858), who emigrated to Van Diemen’s Land in 1823 with his wife and first four daughters.
1 portrait in the collection
National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.
Roslyn Oxley AM, gallerist and art dealer, was born Roslyn Walton, the daughter of John Walton, owner of the department store Waltons.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the artist 1999
Collection: National Portrait Gallery
Purchased 2010
Purchased 2018
Purchased with funds provided by L Gordon Darling AC CMG 2013
Purchased 2008
Purchased 2014
Purchased with funds provided by Wayne Williams 2018
Purchased 2000
Collection: National Portrait Gallery
Gift of the artist 1999. Donated through the Australian Government's Cultural Gifts Program.
Sir Charles Lloyd Jones (1878-1958), merchant and arts patron, grew up in Sydney, where he studied at Julian Ashton's art school in 1895.
1 portrait in the collection
Peter G. Drewett is a Grafton craftsman. Drewett grew up in difficult economic circumstances in Melbourne.
1 portrait in the collection
Helena Rubinstein (1872‒1965) was the first self-made millionairess of modern times, and created the first publicly-listed global cosmetics corporation.
Gift of Frank Croll and Dr Joan Croll AO 2001. Donated through the Australian Government's Cultural Gifts Program.
Therese Desmond (1902–1961), radio and stage actress, was born Mary Long in London and came to Australia as a teenaged orphan at the end of World War 1.
1 portrait in the collection
Gift of Dr Joan Croll AO 2007. Donated through the Australian Government's Cultural Gifts Program.
Joseph Brown AO OBE (1918–2009), art collector, art dealer and philanthropist, arrived in Australia with his father and siblings from Poland in 1933; his mother had passed away shortly before their departure.
2 portraits in the collection
Dave Tacon (b. 1976) is a Shanghai-based photographer, director, producer and writer who specialises in reportage, features and portraiture.
18 portraits in the collection
Christine Audrey Pecket (1908–1996), artist, was three years old when her family emigrated to Sydney from Yorkshire.
2 portraits in the collection
Leon Gellert (1892-1977), poet and journalist, was a physical education teacher at Hindmarsh Public School in his native Adelaide in 1914.
1 portrait in the collection
Noel McKenna (b. 1956), artist, is best known for his spare linear style and paintings of everyday scenarios, often featuring animals and interiors.
3 portraits in the collection
Purchased 2014
Purchased 2008
Gift of John Fairfax Holdings Ltd 2002. Donated through the Australian Government's Cultural Gifts Program.
Purchased 2009
Sidney Myer (1878-1934), retail magnate and philanthropist, arrived in Melbourne in 1898 as a penniless Russian immigrant named Simca Baevski.
1 portrait in the collection
David Malouf (b.1934), educated at Brisbane Grammar and the University of Queensland, left Australia at the age of 24 and remained abroad for a decade, teaching in England and travelling throughout Europe.
3 portraits in the collection
Max Cullen (b. 1940), actor and artist, trained in art in Sydney in the 1950s, worked as a commercial artist and illustrator for some years, and has continued to exhibit solo and in group shows including the Archibald, Blake and Sulman Prizes.
1 portrait in the collection
Gift of the artist 2004
Ross Watson specialises in interpolating representations of lithe semi-naked men into copies of paintings by masters such as Vermeer, Ter Borsch, David and Bronzino.
2 portraits in the collection
Purchased 2013
Reg Livermore AO (b. 1938), stage and television entertainer, began performing as a teenager, hiring local venues to mount his own pantomimes.
2 portraits in the collection
Gift of the artist 2021. Donated through the Australian Government's Cultural Gifts Program.
Captain Robert Clark Morgan (1798-1864), Christian mariner, whaler and diarist, entered the Royal Navy at the age of eleven, leaving at sixteen for the merchant marine and beginning a career in whaling, a pursuit he relished.
1 portrait in the collection
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Gift of the Estate of Marion Orme Page 2016
During his long and distinguished career Max Dupain took thousands of photographs of people
Aspects of singer songwriter Paul Kelly’s performance persona are communicated by portraits selected from a range of artists and leading music photographers in this focus exhibition.
June Dally-Watkins OAM (1927–2020), model, deportment icon and entrepreneur, grew up on a property at Watsons Creek in the New England district of New South Wales.
3 portraits in the collection
Collection: National Portrait Gallery
Purchased 2012
Purchased 2016
Toni Collette (b. 1972), actor, producer, singer and songwriter, spent much of her childhood in the western Sydney suburb of Blacktown and left school at 16 to join the Australian Theatre for Young People.
1 portrait in the collection
Herbert 'Bert' Flugelman, sculptor, painter and lecturer, came to Australia from his native Vienna in 1938, aged fifteen.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2005
Purchased with funds provided by the Sid and Fiona Myer Family Foundation 2021
Collection: National Portrait Gallery
Gift of Ms Vivian Wilson 2004
Ruth Cracknell AM (1925–2002), actor, became a household name through her character Maggie Beare in the ABC comedy Mother and Son, which ran from 1985 to 1994.
1 portrait in the collection
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Collection: National Portrait Gallery
Gift of Madeleine Howell 2013
Elizabeth Sarah (Lillie) Roberts (née Williamson, 1860–1928), artist, was born in Launceston, the daughter of Caleb Williamson, a successful merchant, and his wife, Elizabeth.
1 portrait in the collection
Sir William Northam CBE (1905-1988), yachtsman, won the gold medal in the 5.5 m class event at the 1964 Tokyo Olympics.
1 portrait in the collection
Purchased 2004
Collection: National Portrait Gallery
Purchased 2005
Collection: National Portrait Gallery
Commissioned 2010
Purchased 2015
Collection: National Portrait Gallery
Purchased 2010
Joan Redshaw AM (1921–1994), medical practitioner, chose her career in opposition to her father, a judge, who thought the University of Sydney medical school was a hotbed of women's activists.
1 portrait in the collection
William H. Bardwell, photographer, worked at various premises in Ballarat from 1858 until 1895.
1 portrait in the collection
Nelson Illingworth trained in sculpture in England and worked as a modeller at the Royal Doulton potteries for nine years before moving to Australia.
3 portraits in the collection
Gift of Dr Robert Edwards AO 1999. Donated through the Australian Government's Cultural Gifts Program.
Bradley & Rulofson was a partnership between photographers Henry W Bradley (1813–1891), a native of North Carolina, and Canadian-born William H Rulofson (1826–1878).
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2005
Collection: National Portrait Gallery
Commissioned 2010
Collection: National Portrait Gallery
Commissioned 2010
Purchased with funds provided by Tim Fairfax AC 2010
The Hon Sir Saul Samuel Bart KCMG CB (1820-1900), merchant, politician, company director and landowner, was the first Jewish legislator in New South Wales and the first Jew to become a minister of the Crown.
1 portrait in the collection
Francis William Barnard Walford (1821–1896), businessman and landowner, was born in Hobart, the son of Barnard Walford (1801–1846), a publican and victualler; and the grandson of Barnard Walford senior (c.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2009
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2014
Georges Mora (1913-1992) was born Gunter Morawski to a Leipzig Jewish bourgeois family of Polish descent.
1 portrait in the collection
Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.
Margaret Michaelis, photographer, was born Margarethe Gross, of Polish Jewish parents at Dzieditz, near Bielsko.
2 portraits in the collection
Gift of John Fairfax Holdings Ltd 2002. Donated through the Australian Government's Cultural Gifts Program.
Tony Bilson, OAM (1944-2020), chef, grew up in Melbourne and was educated at Melbourne Grammar school before opening his first restaurant, La Pomme d'Or, in Camberwell in 1971.
1 portrait in the collection
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Alan Goldberg AO QC (1940-2016), Federal Court judge, was born into a pioneering Jewish Melbourne family and graduated from the University of Melbourne law school in the early 1960s.
1 portrait in the collection
Thousand mile stare provides a unique portrait of people of rural Australia
Collection: National Portrait Gallery
Gift of Coles Myer Ltd 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Elaine Haxton (1909-1999), painter, graphic artist and theatre designer, grew up in Sydney.
1 portrait in the collection
Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Leigh Bowery (1961-1994), London-based designer and nightclub performer, was born in the Melbourne suburb of Sunshine, and attended school in Melbourne before briefly studying fashion design at RMIT.
2 portraits in the collection
Gift of the artist 2009. Donated through the Australian Government's Cultural Gifts Program.
Helena Rubinstein (c. 1870–1965), cosmetician, businesswoman and philanthropist, is the founder of one of the first international cosmetic companies.
1 portrait in the collection
Charles Troedel (1835-1906), born in Hamburg, was working in Norway when he was headhunted by AW Schuhkrafft, a Melbourne printer who seeking European craftsmen.
1 portrait in the collection
Faith Stellmaker shares pioneering artist and restaurateur Mirka Mora’s lasting legacy on Melbourne’s art, dining and culture.
Lady Maisie Drysdale (1915–2001), children's librarian and artists' muse, developed an interest in art as a child, and attended both the University of Melbourne and George Bell's art school.
1 portrait in the collection
Michael Peck, artist and academic, was born in Melbourne in 1977; he was awarded a Bachelor of Fine Art (honours) (Painting) from Monash University and has exhibited in solo and group exhibitions since 1998.
1 portrait in the collection
Purchased 2018
John Cobley (1914-1989), doctor, historian and television host, studied at State schools, won a scholarship to the University of Sydney and graduated in medicine and science in 1937.
1 portrait in the collection
Ningali Lawford-Wolf (1967–2019), Wangkatjungka actor and dancer, was born at Christmas Creek Station in the Kimberley.
1 portrait in the collection
William Francis King (1807-1873), aka 'The Flying Pieman', accomplished a series of bizarre athletic feats during the 1840s.
1 portrait in the collection
Vali Myers (1930-2003) artist, vagabond and agitator, was born near Box Hill and moved to Melbourne at the age of eleven.
1 portrait in the collection
Dame Margery Merlyn Baillieu Myer DBE (1900–1982), philanthropist and fundraiser, was the daughter of a hotelier, George Baillieu.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Wayne Williams 2015
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Collection: National Portrait Gallery
Gift of the artist 2016
Ivy Shore (1915–1999), painter, was born in Melbourne, daughter of a South Australian suffragette, Elka, and engineer John Williams.
2 portraits in the collection
Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.
Carol Jerrems (1949–1980) was a photographer known for her intimate portraits of friends, lovers and others occupying the progressive social and creative circles in which she moved.
8 portraits in the collection
Purchased 2013
Nicholas-Martin Petit was born in Paris, the son of a fan maker, and learned graphic art in the studio of Jacques Louis David.
9 portraits in the collection
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Purchased with funds provided by L Gordon Darling AC CMG 2009
Gamaliel Butler (1783–1852), lawyer and free settler, emigrated to Van Diemen’s Land in 1824 with his wife, Sarah (née Paine, 1787–1870).
2 portraits in the collection
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Sir James Martin (1820-1886) was fourth Chief Justice of New South Wales.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2019
William Pitt the Younger (1759-1806) was Tory prime minister of Great Britain from 1783 to 1801, and of United Kingdom from 1804 to 1806.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2012
Jack Charles (1943–2022) was a revered Wiradjuri, Boon Warrung, Dja Dja Wurrung, Woiwurrung and Yorta Yorta Elder, activist, actor, musician and artist.
1 portrait in the collection
Robert Whitaker, English photographer, spent three years in Melbourne in the early 1960s, becoming friends with Mirka and Georges Mora, Barry Humphries, Germaine Greer, the Heide crowd and Martin Sharp and Richard Neville.
1 portrait in the collection
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Alfred Simpson (1805–1891), manufacturer, started his professional life as a tinsmith in his native London and also worked as a hatter before financial difficulties caused him to emigrate to Australia in 1849.
1 portrait in the collection
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Walter Frederick Gale (1865-1945), banker and astronomer, joined the Savings Bank of New South Wales in 1888.
1 portrait in the collection
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
Collection: National Portrait Gallery
Purchased 2011
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Sir Gerard Smith (1839-1920), governor, was educated at Eton before purchasing a commission as an ensign and lieutenant in the Scots Fusilier Regiment of Foot Guards, with whom he served in Canada in 1863-1864.
1 portrait in the collection
Phil Manning celebrates a century of Brisbane photographic portraiture.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Sir James Dowling (1787-1844), judge, worked as a parliamentary reporter before he was called to the Bar in London in May 1815.
1 portrait in the collection
Jenny Sages (b. 1933), artist, was born to Russian Jewish parents in Shanghai and came to Australia with her family in 1948.
34 portraits in the collection
Purchased 2017
Gary Foley (b. 1950) is a Gumbainggir activist, actor, historian, curator and academic.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2008
David Lloyd Jones (1931–1961) was the great-grandson of the original David Jones – who founded the eponymous department store in Sydney in 1838 – and the eldest son of Sir Charles Lloyd Jones (1878–1958), who was chairman of David Jones Ltd from 1920 until his death.
1 portrait in the collection
Thomas Foster Chuck (1826-1898), photographer and entrepreneur, was born in London and arrived in Victoria in 1861.
4 portraits in the collection
William Baker Ashton (1800-1854) was the first governor of Adelaide Gaol.
1 portrait in the collection
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Collection: National Portrait Gallery
Gift of Lin Bloomfield 2017
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
John Sumner AO CBE (1924–2013), described as the 'father of Australian drama', was born in England and trained and worked in repertory theatre there before World War 2.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
'I have just been to my dressing case to take a peep at you.
Noel Fraser Hickey (1921–2010) was born in Kensington, in Sydney, New South Wales, a stone's throw from the Royal Randwick Racecourse.
1 portrait in the collection
Gift of the Jozef Vissel 2015
Collection: National Portrait Gallery
Purchased 2011
Collection: National Portrait Gallery
Commissioned 2010
Margel Hinder AM (née Harris) (1906-1995), sculptor, trained in Buffalo and Boston in the 1920s.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
John Connell (c. 1759–1849), free settler, merchant and landowner, came to New South Wales aboard the Earl Cornwallis, which arrived in Sydney in June 1801.
1 portrait in the collection
Victor Trumper (1877-1915), is one of Australia's all-time great cricket batsmen.
1 portrait in the collection
Eva Besen AO (1928–2021), philanthropist and arts benefactor, founded the Besen Family Foundation with her husband Marc Besen AC.
1 portrait in the collection
Gift of Reverend Ralph Sutton's daughters Arlene Howes and Megan Newman in memory of Ralph Sutton and in tribute to his wife Dorothy Sutton 2011
Marcus (Marc) Besen AC (1923–2023), philanthropist and arts benefactor, founded the Besen Family Foundation with his wife Eva Besen AO.
1 portrait in the collection
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.
Purchased 2011
This week it is impossible not to contemplate the ways in which France has touched many Australian lives.
These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.
Collection: National Portrait Gallery
Purchased 2014
"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.
Purchased 2012
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
Purchased with funds provided by the Liangis family 2013
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Purchased 2010
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Francis William Barnard Walford (1821–1896), businessman and landowner, was born in Hobart, the son of Barnard Walford (1801–1846), a publican and victualler; and the grandson of Barnard Walford senior (c.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Gillian Appleton (McClelland) 1999
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2012
Purchased 2009
Adrian Rawlins (1939-2001), poet, performer and promoter, grew up in a Jewish household in Caulfield and St Kilda.
1 portrait in the collection
Gift of Claudia Hyles, Dr Christiane Lawin-Bruessel, Gwenda Matthews, Gael Newton, Anne O'Hehir, Susan Smith and Dominic Thomas in memory of our friend, Robyn Beeche 2016
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Collection: National Portrait Gallery
Purchased 2019
Geoffrey Roland Robertson AO KC (b. 1946), barrister, academic and defender of human rights, grew up in Sydney, attending Epping Boys' High and then the University of Sydney.
1 portrait in the collection
Diana Pockley (née Longridge, 1913–2011), gardener, fundraiser and amateur historian, was born in Exeter, Devon, England and completed her secondary education in Brighton.
1 portrait in the collection
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.
Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.
Purchased with funds provided by Graham Smith 2009
Mikala is the eldest of my three daughters. I have photographed her on many an occasion. Needless to say we are both extremely at home with the practice.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Chandler Phillip Coventry AM (1924–1999), grazier, gallerist, art collector and arts patron, was born in Armidale, New South Wales to an established New England grazing family.
1 portrait in the collection
Karl James reflects on soldier portraiture during the Great War.
Members of the Board, Foundation and staff of the National Portrait Gallery are deeply saddened by the sudden passing of Angus Trumble.
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Thomas Woolner, sculptor, studied first with the brothers Henry and William Behnes, painter and sculptor respectively, and later at the Royal Academy, at which he was to become professor of sculpture in his fifties.
5 portraits in the collection
Collection: National Portrait Gallery
Purchased 2010
Sean Davey captures the portrait of a nation renewed.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Stephanie Alexander AO (b. 1940), cook, restaurateur, food writer and philanthropist, has been a major influence on Australian food and culinary culture for 50 years.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Lady Bunting in honour of Sir John Bunting and the Menzies Foundation 1999
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2001
Purchased with funds provided by Graham Smith 2009
Dorothy Gordon (Jenner) OBE, ‘Andrea’ (1891-1985), actress, dressmaker, stuntwoman, journalist, radio broadcaster and charity fundraiser, grew up on a property near Narrabri and attended boarding school in Sydney before gaining a part as a chorus girl in Girl in a Train in Melbourne in 1912.
2 portraits in the collection
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Purchased 2009
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Diana Warnes discusses the portrait of the Australian mathematician Terence Tao.
Andrew Mayo considers the changing face of modern wedding photography through the eyes of two of its finest exponents, Dan O’Day and Kelly Tunney.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
The first solo exhibition for this multidisciplinary, contemporary Australian artist, The Immersive World of Thom Roberts opens at the National Portrait Gallery on 12 April.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Mary Anne Egan (also Marianne or Marian, née Cheers, 1818–1857), was born in Sydney, the daughter of ex-convicts.
1 portrait in the collection
Barry Humphries AO CBE (1934–2023), actor, writer and artist, was the world's all-time most successful solo theatrical performer.
12 portraits in the collection
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
Collection: National Portrait Gallery
Purchased 2001
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.
The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.
Christopher Chapman contemplates the provocative performance art of Chris Burden.
William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.
Purchased 2018
Arthur Wellesley, 1st Duke of Wellington (1769-1852), army officer and hero, was the prime minister of the United Kingdom from 1828 to 1830.
1 portrait in the collection
At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?
Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.
In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.
Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.
Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.
Collection: National Portrait Gallery
Purchased 2007
Pieter Roelofs, Head of Painting and Sculpture at Rijksmuseum and co-curator of Vermeer, delves into the largest-ever exhibition of the master artist.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.
I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.
An interview with the photographer.
Patrick McCaughey explores a striking Boyd self portrait.
Directors of the National Portrait Gallery from 1998 to today.
I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Robyn Sweaney's quiet Violet obsession.
Alison Baily Rehfisch (1900–1975) was born Alison Green in Woollahra, New South Wales, to parents who 'were very interested in painting – in all the arts: music, literature, everything'.
2 portraits in the collection
Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.
Christopher Chapman immerses himself in Larry Clark’s field of vision.
Dr Sarah Engledow explores the early life and career of John Brack.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Born and raised in Yogyakarta, Eko Nugroho (b. 1977) entered the art scene at the height of Reformasi.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Atul Bhalla was born in 1964 in New Delhi. He frequently combines photography, installation, sculpture, video, painting and performance to question the human relationship with the natural and constructed environment.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
An interview with the photographer.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.
The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Michael Riley’s early portraits by Amanda Rowell.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
S Teddy D was born in Padang, Sumatra in 1970, and studied painting at the Institut Seni Indonesia (Indonesian Institute of Art) in Yogyakarta.
Born in Malaysia in 1968, to a Malaysian Muslim father and a New Zealander mother of Scottish descent Nadiah Bamadhaj studied Fine Arts in New Zealand, and is currently working on a PhD from Curtin University, Western Australia.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
Last month we marked the twentieth anniversary of the formal establishment of the National Portrait Gallery, the tenth of the opening of our signature building, and the fifth of our having become a statutory authority under Commonwealth legislation.
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
Penelope Grist explores the photographic instinct of four-time National Photographic Portrait Prize finalist Julian Kingma.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Amy Middleton on the power of portraiture in promoting inclusivity and connecting with intersectionality and diversity in all its forms.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
I like talking about Drendel’s pictures as if they expressed dreams of my own.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
John Zubrzycki lauds the characters of the Australian escapology trade.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
Tedi Bills talks to George Gittoes about canvassing conflict.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.