Search / david hansen

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

The last word

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

My dream job

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

The jungle look

David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.

Keep it in the family

David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.

Observation point

I work with portraiture as a way to explore the nuances and complexities of contemporary selfhood and subjectivity.

The numbers man

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Tribute

Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.

A Captured Moment

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Depth of Field

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Cool cool world

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

Earth to earth

Dr Sarah Engledow discusses the recent gift of works by David Campbell.

Super League

The portrait of Ian Roberts by Ross Watson.

Golden boy

Dr Christopher Chapman examines Scott Redford's photographic portrait of Australian surfer David 'Rasta' Rastovich.

Being Cate

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Private practice

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Portrait 57

The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.

Portrait 68

Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.

Three Dimensional

Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.

Portrait 2

This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.

Portrait 67

William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.

Portrait 61

Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.

A bond of friendship

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

Portrait 63

Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.

Big shots

Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.

Time is precious

Headspace5: Crystal Gazing highlighted the diversity of materials and techniques that young people use for self expression. David Sequeira presents a personal view of three works in the exhibition.

Insightful

Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

My Favourite Australian

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

Portrait 71

Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.

Hot Scots

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

The long game

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Observation point

Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.

Apollo's breath

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Now and then

Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

9 lives of Karin Catt

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

A gift from the heart

Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.

Inspiration + Realisation: John Singer Sargent

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Boyd to man

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Start Your Engines...

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

Observation point

Tim Storrier describes the influences on the development of his artistic style.

The Story So Far...

A reflection on the National Portrait Gallery's first four years.

Stillness in movement

Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.

Vintage Max

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Touchy touchy

Tony Curran ponders whether our phones can change the course of painting.

Pop goes the preconception

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Speed demon

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

The Vanity model

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

On the road again

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

In Profile

Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.

Cultural kaleidoscope

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Illuminating history

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

Arthur as Alyosha?

Patrick McCaughey explores a striking Boyd self portrait.

No shirt, no service

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

The animating signature

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

When birds no longer sing

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.

Why do painted portraits still matter?

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Rock star

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film. 

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

The considered life

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

20 20

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Subtle emotion

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Great Scots

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Mash-up

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?

Poets' Portraits

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Getting bare

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

We Were There

Preserving stories, subverting power and posing nude: Benjamin Law explores the potency and persuasiveness of portraiture.

The 'I' in Indigenous art

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Everything, everyqueer, all at once

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.

The transparent mask

Cate Blanchett and the art of acting in Rosetzky’s digital portrait.

International issue

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

The story of us

Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.

The incomparable Beaton

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Sea legged frogs

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Reveries

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

The boy, the bed and the gun

Christopher Chapman contemplates the provocative performance art of Chris Burden. 

The news from Washington

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Be bold

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Activating the space

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

Seduce Amuse Entertain

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

The more things change

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

A sketch for some portraits

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Essential portraiture

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Donated duo

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

Recollections of a sinologist sitter

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Aussies all

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

The Lawrence lustre

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

Picture this...

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Canadian identities

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Rethinking foundational histories

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Thinking about architecture and portraiture

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Ryan Presley

April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.

Their brilliant careers

Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.

Self-effacing

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Of ice and men

Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.

Eating the seasons

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

You are who?

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.

Back in black

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Moving still

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

Shiny, happy people

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Home truths

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Money for Myth

Australian character on the market by Jane Raffan.

The activist A-list

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Out of the shadows

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Starry knight

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

Sibly irresistible

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Flash mob

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Through blue eyes

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Love my way

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Through thick and thin

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Painting writing

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Prima facie

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.