April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Elspeth Pitt talks to multidisciplinary artist Nell about ghosts, artistic lineages and hybrid art forms.
Ellie Buttrose reveals the web of connection behind Kamilaroi/Bigambul artist Archie Moore’s kith and kin, which won the Golden Lion award at the Venice Biennale 2024.
Kurdish-Iranian writer and filmmaker Behrouz Boochani on his portrait by Hoda Afshar, recently acquired by the National Portrait Gallery.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Tsering Hannaford reflects on her experiences, process and motivation for making portraits.
Photographed 60 years apart, these portraits trace the lives and love story of Penelope Seidler AM and Harry Seidler OBE.
It was a riot of colour in the Gallery as we welcomed Del Kathryn Barton’s portrait of Maggie Beer AO into the collection.
Portrait is the preeminent journal of Australian and international portraiture.
Kim Leutwyler on her portraits of the LGBTQIA+ community, Oliver Giles chats to Polly Borland, Gunggandji artist Simone Arnol, and Andrew Quilty's new book.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.