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Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Michael Desmond interviews Ralph Heimans about his portrait of Crown Princess Mary of Denmark.
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Family affections are preserved in a fine selection of intimate portraits.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
This issue of Portrait Magazine features Daddy Cool, HRH Crown Princess Mary of Denmark, the exhibition Glossy 2, Aldo Giurgola, Fiona Wood and more.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Phil Manning celebrates a century of Brisbane photographic portraiture.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Preserving stories, subverting power and posing nude: Benjamin Law explores the potency and persuasiveness of portraiture.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
An exhibition of humanness in ten themes by Penelope Grist.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.