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Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
An excerpt from The Popular Pet Book.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Sarah Engledow plays wingman to Leila Jeffreys.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.
Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.
Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.
National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Dr Sarah Engledow explores the early life and career of John Brack.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
Dr Sarah Engledow writes about the portraiture of Australian artist Nicholas Harding.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
The National Portrait Gallery's new building, opened on 3 December 2008, is a beautiful home for the national collection of portraits.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.
Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.