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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Judy Davis and Sam Neill in ‘My Brilliant Career’, 1979 David Kynoch

Moving still

Magazine article by Anne O'Hehir, 2022

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.

Osher, 2018 by Stephen Baccon

Snap chat

Magazine article by Anne O'Hehir, 2019

2019 National Photographic Portrait Prize judge Anne O’Hehir looks beneath the surface of this year’s entries.

Tony Bilson

Eating the seasons

Magazine article by Dr Anne Sanders, 2019

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

The cook (Michael Schmidt/architect), 1987

Hall of mirrors

Magazine article by Naomi Cass, 2007

Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.

Paul Kelly 30.11.1980 by Liz Reed

Pop poet

Magazine article by Dr Anne Sanders, 2013

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

Jim Conway

Selfhood transcended

Magazine article by Dr Anne Sanders and Dr Christopher Chapman, 2018

Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Portrait 49

Winter 2015
Magazine

This issue features Jude Rae, Arthur Boyd, Darren McDonald, John Singer Sargent, Tom Wills the 'inventor' of Australian Rules Football and more.

Portrait 53

Winter 2016
Magazine

Experience the art of rock music; attend to the neglected aspects of Lord Kitchener's work; and say farewell to the inimitable Bob Ellis.

Portrait 56

Autumn 2017
Magazine

Browse the history of the National Photographic Portrait Prize, Cayce Zavaglia's embroidered portraiture, and modern wedding photography!

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  

Clifton Pugh and John Olsen, Dunmoochin

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography. 

Portrait 63

Winter 2019
Magazine

Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.

Portrait 62

Autumn 2019
Magazine

National Photographic Portrait Prize 2019, the iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato, Angélica Dass’ Humanæ project and more.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Portrait 67

Portrait 67

Winter 2022
Magazine

William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.

Anne-Louise Lambert as Miranda Courtesy Picnic Productions

Rock star

Magazine article by Jennifer Coombes, 2018

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film. 

Portrait bust of Dr Christine Rivett

A gift for all ages

Magazine article by Rod Kemp, 2003

The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.

[Self-portrait], 1996

Reveries

Magazine article by Helen Ennis, 2007

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Moving and changing, 2006

Situated self-portraits

Magazine article by Katherine Russell, 2006

The theme of the seventh annual survey of secondary school student portraiture, Headspace, was Me and My Place.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Portrait of an English Woman c. 1532-5 (detail)

A new perspective

Magazine article by Celina Fox, 2006

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Ray Lawler

Diamond Doll

Magazine article by Karen Vickery, 2016

Karen Vickery delights in a thespian thread of the Australian yarn.

Lady Jane Grey, c.1590-1600 (also known as The ‘Streatham’ portrait) Artist unknown

The Royal she

Magazine article by Inga Walton, 2019

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Kid A, 2014 by Joshua Morris

Swimming every day

Magazine article by Dr Christopher Chapman, 2015

National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.

Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

Une Femme Amoureuse, Self portrait as Mireille Mathieu, 2022 Yvette Coppersmith

You, looking at me

Magazine article by Elspeth Pitt, 2022

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Study for commissioned portrait of HRH Crown Princess Mary of Denmark (profile head study)

Australian Princess

Magazine article by Katherine Russell, 2005

The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Unheroic Materialism: little harmless fragments of memory and association: a portrait of Angus Trumble, 2019 Evert Ploeg

The last word

Magazine article by Dr David Hansen, 2022

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

Asuceleng (Dog-boar), 2010

Man of the year

Magazine article by Christine Clark, 2011

Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.

Mr and Mrs Horace Keats in the

Heartfelt

Magazine article by Dr Sarah Engledow, 2009

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

A Portrait (Kate Hattam)

Melbourne experience

Magazine article by Diana Warnes, 2007

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Seven sisters song Kaylene Whiskey

You are who?

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency