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Jude Rae contemplates the portrait commission.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Karl James reflects on soldier portraiture during the Great War.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.