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Adam’s Prize Apples

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

Hired guns, bounty hunters and horse whisperers

Jude Rae contemplates the portrait commission.

The bright-eyed Mariner

Rethinking foundational histories

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Past present

Krysia Kitch celebrates Oodgeroo Noonuccal.

Worth her salt

Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.

Final frame

Karl James reflects on soldier portraiture during the Great War.

Birds of a feather

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Off grid

Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.

Self-effacing

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Moving still

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.

High & Bligh

Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Flesh, figure and rock

Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Sea legged frogs

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.