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Terms and conditions

Terms and conditions

These terms and conditions govern entries to the National Portrait Gallery’s Darling Portrait Prize 2024.

Everything, everyqueer, all at once

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.

The catechist and the cricketer

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Announcing.... In their own words

Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.

Expect the unexpected

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Agnes enigma

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Rethinking foundational histories

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Christmas Island

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Gary Grealy wins National Photographic Portrait Prize 2017

After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.

Costantini's convictions

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Jewelled nights

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Shen Jiawei

Shen Jiawei was born in China. During the Cultural Revolution he laboured in the Great Northern Wilderness, but even as he worked there, he gained recognition as an artist. 

Diamond Doll

Karen Vickery delights in a thespian thread of the Australian yarn.

Confessional conversations

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Air wear

Aviation carried women’s roles in society to greater heights – fashion followed suit.

George Lambert, c. 1929

Collection: National Portrait Gallery
Purchased 2015

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Request a digital copy of an image for publication

The Archduke

The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.

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Male Domains - The Pub #4, 2006

CO-AP

Based in Sydney, CO-AP endeavour to realise unique outcomes for each project, achieved through a strong and reliable collaborative process.

About Headspace

Both making and exploring art involve a form of thinking that opens the way to multiple systems of knowing and experiencing.

Kondelea (Della) Elliott, 1979

Gift of Jeannie Highet and Kim Buchan 2012

First encounters

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Husbands and Wives

'I have just been to my dressing case to take a peep at you.

Omai, 1777

Collection: National Portrait Gallery
Purchased 2010

Thinking about architecture and portraiture

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Naked ambition

Joanna Gilmour dives into the life of Australian swimming legend Annette Kellerman.

A rogue's calling card

Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.

Cook in context

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

Omai, A Native of Ulaietea, 1774

Purchased with funds provided by Robert Oatley AO 2007

A quiet moment

As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other. 

To Look Within

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Max Dupain

During his long and distinguished career Max Dupain took thousands of photographs of people

Vintage Max

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Little treasures

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Mrs Elizabeth Lewis, c. 1830

Gift of Leo Schofield AM 2002. Donated through the Australian Government's Cultural Gifts Program.