In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.