Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.
Karen Vickery delights in a thespian thread of the Australian yarn.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.