April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Elspeth Pitt talks to multidisciplinary artist Nell about ghosts, artistic lineages and hybrid art forms.
Ellie Buttrose reveals the web of connection behind Kamilaroi/Bigambul artist Archie Moore’s kith and kin, which won the Golden Lion award at the Venice Biennale 2024.
Kurdish-Iranian writer and filmmaker Behrouz Boochani on his portrait by Hoda Afshar, recently acquired by the National Portrait Gallery.
It was a riot of colour in the Gallery as we welcomed Del Kathryn Barton’s portrait of Maggie Beer AO into the collection.
Tsering Hannaford reflects on her experiences, process and motivation for making portraits.
Photographed 60 years apart, these portraits trace the lives and love story of Penelope Seidler AM and Harry Seidler OBE.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Anne O’Hehir chats with artist Kim Leutwyler about courage, community and the ethics of looking.
Magda Keaney on entwining the work of Francesca Woodman and Julia Margaret Cameron, two photographers working a century apart.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.