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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Wylie

Wylie

Wylie

Wylie, 1840-1841

Portrait, steel engraving with later hand-colouring on paper

Purchased 2018

Nicole Kidman

9 lives of Karin Catt

Magazine article by Simon Elliott, 2006

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

Thilin-Thilin Gooragall Nyajaringil Garnkiny-nu (white gum tree, mother for the moon), 2018 by Shirley Purdie

Storytelling

General content

The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Andrew Sayers

Andrew Sayers AM FAHA

13 October 2015

Archived media releases 2015

The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.

JK Rowling, 2005

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Portrait bust of Dr Christine Rivett

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

One hundred days at 7pm 2015 by Fiona McMonagle

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

National Portrait Gallery

History

How the National Portrait Gallery and its unique collection came to be

Professor Peter Doherty

The Changing Face of the Scientist

Magazine article by Elizabeth Finlay, 2003

Scientists tend to conjure up images of men in white coats in labs but this is just one stereotype in an evolving history of how we have perceived scientists, and how their profession has been understood over the years.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

Tracey

Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

Leo Schofield

Exhibition opening speech

General content

Leo Schofield introduces the exhibition, Masters of fare: chefs, winemakers, providores.

Pass to converse, 2003 by Melati Suryodarmo

Melati Suryodarmo

by Hendro Wiyanto

Born in Surakarta (Solo), Indonesia in 1969, Melati Suryodarmo’s first degree was in international relations.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency