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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Self portrait

Mysterious eyes

Arthur Boyd portraits from 1945
Previous exhibition, 2016

Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.

Leigh Bowery
Leigh Bowery
Leigh Bowery

Leigh Bowery, 1984

Robyn Beeche
Portrait, type C photograph on paper

Gift of Claudia Hyles, Dr Christiane Lawin-Bruessel, Gwenda Matthews, Gael Newton, Anne O'Hehir, Susan Smith and Dominic Thomas in memory of our friend, Robyn Beeche 2016

Ned Kelly death mask

Getting a head

Magazine article by Alexandra Roginski, 2015

Alexandra Roginski gets a feel for phrenology’s fundamentals.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Yellow portrait (portrait of Alex Jelinek)

Fugue in Yellow

Magazine article by Roger Benjamin, 2015

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Louise, daughter of the Hon. L. L. Smith by Tom Roberts, 1888

An Australian in Paris

About Face article

This week it is impossible not to contemplate the ways in which France has touched many Australian lives.

Christian Waller with Baldur, Undine and Siren at Fairy Hills, 1932 by Napier Waller

Enigma

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll contemplates the curious case of Christian Waller.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Duchess of Cornwall and York (later Queen Mary)
Duchess of Cornwall and York (later Queen Mary)
Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary), 1903

H. Walter Barnett
Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Duchess of Cornwall and York (later Queen Mary)
Duchess of Cornwall and York (later Queen Mary)
Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary), 1903

H. Walter Barnett
Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency