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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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William Robertson and Martha Mary Robertson

William Robertson and Martha Mary Robertson

William Robertson and Martha Mary Robertson

William Robertson and Martha Mary Robertson, 1863

William Edward Kilburn

Portrait, carte de visite photograph on card

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.

Lillie Langtry

Lillie Langtry

Lillie Langtry

Lillie Langtry, c. 1885

Portrait, carte de visite photograph on card

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.

Queen Victoria

Queen Victoria

Queen Victoria

Queen Victoria, 1901

The Illustrated London News after Jean Joseph Benjamin-Constant

Portrait, photogravure on paper

Collection: National Portrait Gallery
Purchased 2018

Queen Victoria (1819-1901), Signed and dated 1843 by Franz Xaver Winterhalter

Queen Victoria

About Face article

Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

Thomas Mathewson (inset) and his studio on Queen Street, c. 1908 by Thomas Mathewson & Co

Northern exposure

Magazine article by Phil Manning, 2017

Phil Manning celebrates a century of Brisbane photographic portraiture.

Tony Albert (after Brownie Downing), 2016 by Tony Albert

Observation point

Magazine article by Tony Albert, 2017

I think the truest representation of someone is a portrait.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Albert Jonas and John Xiniwe of The African Choir, 1891 London Stereoscopic Co.

Back in black

Magazine article by Krysia Kitch, 2017

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

Portrait of David Dridan

Portrait of David Dridan

Portrait of David Dridan

Portrait of David Dridan, 1992

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of David Dridan OAM 2017

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus)

Henry Fullwood (Uncle Remus), 1919

Portrait, pencil on paper

Gift of Denis Savill 2017. Donated through the Australian Government's Cultural Gifts Program.

image not online

Albert Namatjira, c. 1954-1958 (printed 2017)

Charles Chauvel

Portrait, inkjet print from a scanned colour transparency on paper

Collection: National Portrait Gallery
Purchased 2017

image not online

Joe Darling (image plate from The Empire's Cricketers. London: Fine Art Society), 1905

an unknown artist after Albert Chevallier Tayler

Portrait, chromolithograph

Collection: National Portrait Gallery
Purchased 2017

Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency