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Charmed by the Rose

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

101 photographic portraits

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Portrait 14

This issue of Portrait Magazine features the exhibition Masters of Fare, Greg Weight's photographic collection, John Elliott, Barbara Blackman and more.

Vintage Max

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Rock star

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film. 

The house, the horse, the wife and the offspring

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

The long game

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Old Blighty

Angus Trumble ponders the many faces of William Bligh.

Seduce and Destroy

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Moving in creative circles

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

I'm not there

Oz and beyond

Martin Sharp fulfils the Pop art idiom of merging art and life.

Seduce Amuse Entertain

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

The more things change

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Thinking about architecture and portraiture

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

20 20

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Lauded legacy

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Out of the shadows

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

Great Experimentations

Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.

The real Thea

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Secure the shadow ere the substance fade

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

The silent partner

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.