Every face is different and every face is fascinating, but I find an elderly one particularly intriguing.
Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.
Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
The portrait of Ian Roberts by Ross Watson.
Michael Desmond explores what makes a portrait subject significant.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Bringing eminent scientist Frank Fenner and artist Jude Rae together for the National Portrait Gallery commission was like matchmaking.