Every face is different and every face is fascinating, but I find an elderly one particularly intriguing.
Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.
Michael Desmond explores what makes a portrait subject significant.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.