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In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

Phil Manning celebrates a century of Brisbane photographic portraiture.

The National Portrait Gallery's annual survey of student self portraiture highlights the processes of personal inquiry through portraiture by students from all levels across Australia.

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.

From the tightly stage-managed to the embarrassingly candid, Jacqueline Maley explores the power and influence of political portraiture.

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.