An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Artist Kate Beynon reflects on the place of portraiture in her artistic career.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Elspeth Pitt talks to multidisciplinary artist Nell about ghosts, artistic lineages and hybrid art forms.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.
Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.
Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.
Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.