Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.
British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.
Michael Zavros on when a portrait is not really a portrait.
Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
Michael Wardell on Chrys Zantis’ Ora.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Michael Riley’s early portraits by Amanda Rowell.