In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.
National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Australian character on the market by Jane Raffan.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
Politics and personae in the portraiture of TextaQueen by Jane Raffan.
Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.