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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

by Christian Thompson ‘Untitled’ - Yellow Kangaroo Paw, 2008

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Themes and variations (Annelies) A13, 1946

Listening to form

Magazine article by Jane Kinsman, 2007

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

by Sidney Nolan First-Class Marksman, 1946

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

by Georges Clairin Sarah Bernhardt, 1876

Demimonde liaisons

Magazine article by Jane Raffan, 2017

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.

by TextaQueen Shall I raise my eyebrows and gasp? (Alex), 2011

Pen power

Magazine article by Jane Raffan, 2015

Politics and personae in the portraiture of TextaQueen by Jane Raffan.

by William Kentridge Nose, 2008–10

A nose by any other name

Magazine article by Jane Kinsman, 2013

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

Ellen Stirling

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Rose Lindsay

Charmed by the Rose

Magazine article by Anthony Browell, 2004

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Artist unknown Lady Jane Grey, c.1590-1600 (also known as The ‘Streatham’ portrait)

The Royal she

Magazine article by Inga Walton, 2019

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Frances Alda

Bewitching

Magazine article by Roger Neill, 2006

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

Portrait Artist of the Year

Magazine article by Rachel Hopkins, 2025

Rachel Hopkins goes behind the scenes of the new ABC competition series, Portrait Artist of the Year.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency