Magda Keaney examines the 123 Faces project by Simon Obarzanek.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.
Karen Vickery delights in a thespian thread of the Australian yarn.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
John Zubrzycki lauds the characters of the Australian escapology trade.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.