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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Archie Roach

Archie Roach

Archie Roach

Archie Roach, 2008

Portrait, oil on canvas laid on composition board

Gift of the artist 2010. Donated through the Australian Government's Cultural Gifts Program.

Betty Burstall

Arthur Boyd Portraits

Previous exhibition, 1999

This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters

In the Lounge, 2006 by North Sullivan

Seduce, Amuse, Entertain

NPPP 2007 exhibition essay

General content

Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Rachel Ward and Bryan Brown

Australian Love Stories

Archived media releases 2021

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Patrick Corrigan

Patrick Corrigan AM

Patrick Corrigan AM (b. 1932), businessman, art collector and arts patron, was born in Hanghow (Hankou) in China.

3 portraits in the collection

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Anne-Louise Lambert as Miranda Courtesy Picnic Productions

Rock star

Magazine article by Jennifer Coombes, 2018

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.

A Sydney family, 1840s

The house, the horse, the wife and the offspring

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

spaces between movement and stillness

Harriet Schwarzrock: spaces between movement and stillness

10 February 2021

Archived media releases 2021

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.

Andrew Gaze

Andrew Gaze, 2018

by George Fetting

General content

Commissioned with funds provided by Trent Birkett 2018

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Learning resources

We encourage you to look, to feel, to think, to question and most importantly, to identify and connect.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency