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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait of Private Edward Lello 1915 by Darge Photographic Company

Final frame

Magazine article by Karl James, 2016

Karl James reflects on soldier portraiture during the Great War.

Virginia Woolf, 1902 George Charles Beresford

Love my way

Magazine article by Inga Walton, 2022

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Albert Jonas and John Xiniwe of The African Choir, 1891 London Stereoscopic Co.

Back in black

Magazine article by Krysia Kitch, 2017

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

Lady Jane Grey, c.1590-1600 (also known as The ‘Streatham’ portrait) Artist unknown

The Royal she

Magazine article by Inga Walton, 2019

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Portrait of a Young Man, 1478

Emblems of beauty

Magazine article by Keith Christiansen, 2012

Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.

Janice Wakely

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Self portrait

Home truths

Magazine article by Joanna Gilmour, 2013

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Madame Sibly, Phrenologist and Mesmerist

Sibly irresistible

Magazine article by Alexandra Roginski, 2019

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency