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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self Portrait with Stetson, 2011 by Darren McDonald

Painting them gently

Magazine article by Penelope Grist, 2015

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
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Forum participants

General content

Biographies of participants in the Writing lives, revealing lives forum.
Bushrangers, Victoria, Australia, 1852, 1887 by William Strutt

Strutt your stuff

Magazine article by Matthew Jones, 2016

Matthew Jones on the upshot of a St Kilda Road outrage.
Billy Hughes paperweight

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Study for commissioned portrait of HRH Crown Princess Mary of Denmark (profile head study)

Australian Princess

Magazine article by Katherine Russell, 2005

The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Jim Cobb at Chroma factory Mt Kuring-gai, NSW, 2017 by Mark Mohell

The alchemist’s profile

Magazine article by John Zubrzycki, 2017

John Zubrzycki meets Australian paint pioneer Jim Cobb.
Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.
A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Lewis Morley

Myself and Eye

Magazine article by Magda Keaney, 2003

Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.
Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.
Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 
Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

About Face article

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
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© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency