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Personal Politics

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Love in the extreme

Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.

Snap chat

2019 National Photographic Portrait Prize judge Anne O’Hehir looks beneath the surface of this year’s entries.

In Profile

Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.

A real Pratt

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

The Lawrence lustre

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Tiny Trace of a Colonial Giant

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

The bright-eyed Mariner

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Missionary positions

Stella Ramage on Father McHardy’s Bougainville portraiture.

You are who?

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.

Artists at home

Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.

Some women you may not know

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

The Bare story

Curator, Penny Grist, reveals how this exhibition came to be