Search / maria cutmore

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Private virtues public lives

Family affections are preserved in a fine selection of intimate portraits.

The Multifarious Career of George Selth Coppin

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Masters of Fare

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Face the Music

Australia has become recognised for the range and talent of its musicians, composers, conductors and celebrities in general associated with the music industry

To Look Within

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Australian of the Year

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Australian Visit

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Desert Island Discs

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Hail Cézanne

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

Personal Politics

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Love in the extreme

Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.