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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Portrait of a Pioneer , 1917
Violet Teague

Off her own bat

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

About Face article

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011

General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency