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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Paradise won, 2024 Ryan Presley

Ryan Presley: Paradise won

Current exhibition

Marri Ngarr artist Ryan Presley's site-specific commission Paradise won is prominently positioned at the Gallery’s entrance. This ambitious new work invites conversations about the ongoing legacies of colonisation and celebrates First Nations survival and autonomy.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Ben McNamara

Ben McNamara

Vox pops

This is Marissa Gallagher from Kintore, which if you're in Alice Springs, just go west until the WA border, just before that, a traditional area of Pintupi mob.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

Alison Alder

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

Alice Giles
Alice Giles
Alice Giles

Alice Giles, 1984

Rosemary Madigan
Portrait, pastel on paper

Gift of Alice Giles AM in memory of her mother Rosemary Madigan 2023

image not online

Girl with Big Stick, Cooloman and Bird, 2022

Rhonda Sharpe, Yarrenyty Arltere Artists
Portrait, soft sculpture made with recycled woollen blankets, bush dye, wool, cotton, feathers

Purchased 2023

image not online

My Two Lovely Faces Looking at Each Other and Smiling for Love, 2022

Rhonda Sharpe, Yarrenyty Arltere Artists
Portrait, soft sculpture made with recycled woollen blankets, bush dye, wool, cotton, feathers

Purchased 2023

Dave, 2022 Jay Hynes

Dave

Jay Hynes
Image

Portrait 68

Summer 2022/23
Magazine

Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.

The Wedding, 2022 Atong Atem

See through me

Magazine article by Penelope Grist and Rebecca Ray, 2022

Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.

Self portrait, 1980 
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Yanyangkari Roma Butler and Yangi Yangi Fox from Irrunyju (Wingellina), Western Australia, 2017 Rhett Hammerton

Weaving identity

Magazine article by Rebecca Ray, 2022

Rebecca Ray explores the way identity, belonging and connectedness are translated through materiality in First Nations portraiture.

Portrait of Professor Derek Freeman

Paper weight

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

Portrait of a Pioneer , 1917 
Violet Teague

Off her own bat

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.

Alison Alder wearing a paint splattered apron, leaning against a bench in her studio

Alison Alder

Artists and Collectives

One of Australia’s preeminent printmakers, Alison Alder explores social and political issues through her art practice from her studio in Mongarlowe on Yuin Country.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency