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The art of multiplicity

Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.

Heart of Darkness

Magda Keaney talks with Bill Leak about his bold new portrait of Robert Hughes in the National Portrait Gallery collection.

Portrait 5

This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.

Portrait 63

Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.

Michael Kimmelman

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

Mugshots

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Australian Princess

The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

The bright-eyed Mariner

Lauded legacy

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

The numbers man

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.