Tsering Hannaford reflects on her experiences, process and motivation for making portraits.
Robert Hannaford has completed around 400 portraits over the span of his career.
Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
The portrait of Ian Roberts by Ross Watson.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
This issue of Portrait Magazine features Robert Hannaford, Walter Lindrum, John Brack, judicial portraits, Vincent Lingiari and more.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.