The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.
The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.
On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.
Portraits can render honour to remarkable men and women, but there are other ways.
The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Tara James speaks to Cam Neville about his portrait series, Firefighters.
Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
Rowan McGinness asks: when is a self portrait not a self portrait?
In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
The long life and few words of a vice-regal cockatoo
Penelope Grist charts an immersive path through Stuart Spence’s photography.