April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Christopher Chapman describes the art and life of Australian artist Richard Larter.
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
An exhibition of humanness in ten themes by Penelope Grist.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.