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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Tracey

Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

The Gladiators (Norm Provan and Arthur Summons)

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Michael Leunig

The Philosophy of Teapots and Ducks

Magazine article by Gillian Raymond, 2005

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Self portrait, c.1900

Reflection

Magazine article by Michael Rosen, 2013

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Michael Zavros Homework, 2014

Observation point

Magazine article by Michael Zavros, 2017

Michael Zavros on when a portrait is not really a portrait.

Nicole Kidman, New York

Penn on paper

Magazine article by Michael Desmond, 2009

Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

Guns and roses, 2006

Obey

Magazine article by Michael Desmond, 2009

Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.

Neil Murray

True fella

Magazine article by Michael Desmond, 2011

Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.

Study for self-portrait, 1963

Inside outside

Magazine article by Michael Desmond, 2010

Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.

by Fiona McMonagle One hundred days at 7pm 2015

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Irina Baronova (handing on the baton)

Handing on the baton

Magazine article by Michael Desmond, 2009

Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.

by Julian Opie Damon, singer, 2000

Movement is my radar

Magazine article by Michael Desmond, 2015

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency