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Matthew Jones on the upshot of a St Kilda Road outrage.

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.

This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.

From the tightly stage-managed to the embarrassingly candid, Jacqueline Maley explores the power and influence of political portraiture.

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.

Isobel Parker Philip and Emma Kindred delve into Emily Hunt’s embellished marionettes and intricate etchings which layer history, memory and magic.

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.