Matthew Jones on the upshot of a St Kilda Road outrage.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.
Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.