The Kylie exhibition celebrated the significant achievements of one of Australia's most internationally recognisable faces and gave the general public a rare glimpse into her glamorous life.
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).