In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Martin Philbey’s portrait of Dan Sultan.
Grace Carroll contemplates the curious case of Christian Waller.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
Michael Wardell on Chrys Zantis’ Ora.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.