Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).