Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Australian character on the market by Jane Raffan.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.
Politics and personae in the portraiture of TextaQueen by Jane Raffan.
National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.
Matthew Jones on the upshot of a St Kilda Road outrage.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.