Claire Roberts interviews Swiss art collector Uli Sigg.
The portrait of Ian Roberts by Ross Watson.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?