Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.
Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.
Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.