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Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Private practice

The considered life

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Portrait 27

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

A new perspective

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Mrs Cameron and the V&A

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Icons and imagery

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

The fat of the land

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Someone to watch over you

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

String of Pearls

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Self-effacing

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).