Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Elspeth Pitt talks to multidisciplinary artist Nell about ghosts, artistic lineages and hybrid art forms.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.
A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.