The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
Australian artist and Archibald Prize winner, Jenny Sages reflects on her work.
Karen Vickery on Chang the Chinese giant in Australia.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Grace Carroll on the gendered world of the Wentworths.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
