Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Michael Desmond explores what makes a portrait subject significant.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Kurdish-Iranian writer and filmmaker Behrouz Boochani on his portrait by Hoda Afshar, recently acquired by the National Portrait Gallery.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Bess Norriss Tait created miniature watercolour portraits full of character and life.