Betty Churcher AO (1931–2015), gallery director, author, painter and lecturer, was educated in Brisbane before studying art in London.
Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Rebecca Ray reflects on Robert Fielding’s Mayatjara series, honouring songlines and intergenerational knowedge.
National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.