In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
This issue of Portrait Magazine features Margaret Cameron, the 'Truth and Likeness' exhibition, Reg Mombassa, Patrick White, George Foxhill and more.
Magda Keaney on entwining the work of Francesca Woodman and Julia Margaret Cameron, two photographers working a century apart.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Kim Leutwyler on her portraits of the LGBTQIA+ community, Oliver Giles chats to Polly Borland, Gunggandji artist Simone Arnol, and Andrew Quilty's new book.
National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.
The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.