Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.
Sean Davey captures the portrait of a nation renewed.
Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.
June Oscar AO lauds three iconic Aboriginal figures in the Portrait Gallery collection who have inspired and influenced her.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.
Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.