Portraits take many forms, from official statements of power and status to deeply personal testaments of affection and insight.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
Christopher Chapman reveals the intersection of iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato.
April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.
Tedi Bills talks to George Gittoes about canvassing conflict.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Barbara Blackman reflects on her experiences as a life model.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Christopher Chapman ponders our digital identity and selfhood.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.